The crucial changes in moving image technology (digital turn) and global urbanization, brought the remarkably productive spatial turn into cinema studies. The contemporary urban and cinema studies demonstrate how productive such interdisciplinary approaches are. However, today when we think about moving image and a city, we also think about a pixel and forms of data representation, digital and global interconnections. Historically, cinema’s connections with the city have been referred to as chemistry between “celluloid and asphalt.” In classical film studies, both the city and cinema have been analyzed through frameworks of modernity. The conference engages with questions of representation, distribution, exhibition and audience, as well as intersections of urban, cinema and media studies. City, Cinema, and Media (the 8th edition of the Baltic Sea Region Film History Conference) focuses on the cinema and urban space. As we witness the new forms of audiovisual mediation enter our public and private spaces, the conference invites the researchers to collectively reflect about them. Mantas Kvedaravičius and Hanna Bilobrova, 2022) capture urban experiences from a personal perspective. Waad Al-Kateab, 2019) and Mariupolis 2 (dir. In the light of global processes, such as climate change, militarization, and geopolitical reshufflings, a city is both a backdrop and an active participant in ever-evolving ways of mediating the transformation of conditions for human and non-human dwellers.
Academie musique archive#
Partners: Film Archive of the National Archives of Estonia, Latvian Academy of Culture, Vilnius City Municipality Organizer: Lithuanian Academy of Music and Theatre, Lithuanian Culture Research Institute, Media Education and Research Centre “Meno avilys”
Hopefully, the future still holds big things for the Liszt Academy.Call for papers: Baltic Sea Region Film Conference City, Cinema, and Media (Vilnius, Lithuania)Ībstract/Panel submission deadline: June 23, 2023 As a pianist wanting to hear world-class musicians at live concerts, I have had the opportunity to hear them in house thanks to the academy being one of Europe´s most prestigious concert venues. As a pianist at the dawn of my musical career, I have had the oportunity to perform abroad thanks to an amazing team of people at the foreign relations department.
As a pianist still learning my art, I have gained priceless knowledge from a wide selection of fantastic piano and chamber music teachers. “For me the Liszt Academy is a master institution of music in a global sense.
Academie musique professional#
Each of my professional moves is watched carefully, so I can make personal progress.” This is a real University, where – though there are fewer „straps” to hold on to than at secondary school, there are still plenty compared to real life – I can plan, brainstorm and create freely. I always get satisfactory answers to my questions even if they were not put by me. “You can come and do schoolwork here whenever you want, regardless of classes and professors. I find it a fantastic opportunity to learn from such great artists as Nobuko Imai, Ettore Causa, Maxim Rysanov, Hartmut Rohde, etc., whose courses are very difficult to attend otherwise.” “During these two years while I’ve been a viola student at the Strings Department, at the Liszt Academy I’ve had the chance to participate in masterclasses that were held by internationally acclaimed maestros. And I am really proud to study at a school founded by Liszt Ferenc.” I have the opportunity to sing in the most beautiful concert hall in Europe.
“In the Liszt Academy I have met great teachers and classmates. Teaching is conducted on a one-to-one basis and in small groups and workshops, respecting the individual needs of each talented student. Students of the Liszt Ferenc Academy of Music are educated according to the institution’s twin spirits of tradition and progressiveness, while breathing in the inspiring atmosphere of the Liszt Academy Concert Centre with its international concert life. Sir Georg Solti, Antal Doráti, Sándor Végh, György Sebők, János Starker, Tamás Vásáry, Péter Frankl, György Pauk, Zoltán Kocsis, Dezső Ránki, András Schiff, Péter Eötvös, Miklós Perényi and Éva Marton, amongst others, have had an immense impact on the development of classical music. Our impressive list of alumni bridges genres, continents and ages. The renowned piano virtuoso, composer, conductor, teacher, author and philanthropist established the institution in 1875. The Liszt Ferenc Academy of Music in Budapest is the only university of music in the world founded by Franz Liszt.
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